Doug
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Menjiva1r, can you elaborate in more detail? Not quite sure what you are asking me to try.
My original point, though not stated outright, is that due to recording techniques, engineering, mastering, recording mic placement—and it may be that mic placement is the the most important—seem to dictate a single best listening chair position for every recording. I was simply wondering how many of those that are able to move their listening chairs actually do so based on the specific recording being reproduced. My system is capable of producing extraordinary soundstage depth, width, and height, but I am able to dial it in even more with listening chair adjustments. This is especially true on better recordings. Bad recordings pretty much stay bad no matter where the chair lands.
Thoughts?
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