I’m certainly not sure I would qualify these two releases “jazz” in the strictest sense–over time I’ve come to think of jazz as material more closely aligned to the tradition.
But I used to own these Ayers Uqibquity albums when released and at the time they were in fact a sort of personal joy as no one around me was into these, or the George Duke Epic lps they resemble to me, or electric Miles, or the growing interest of mine in acoustic jazz of the 'forties, 'fifties and 'sixties. All my “peers” were more into Pink Floyd, Yes, Genesis, Bowie, and the pop on the radio. . . I was fine sharing an interest in Yes and Bowie, but the rest. . . a little dab did me and they were constantly around me to the point of annoyance.
The engineering on these Ayer albums stands out to me now–my system is so much better and the clarity and texture so prevalent that these sound reborn to me. So 'seventies and yet carefully and skillfully recorded. And fun to listen to! This new three cd set is really a reminiscent and ear-opening one for me.
I followed re-listening to the first disc in this set with the first disc of Miles Davis “Agharta,” the 2023 Blu-Spec CD2 edition. Wow. I have been holding off listening to this as it’s a mood and opportunity item, and the system is different from the last time I immersed myself in it, and again I’m taken back to the time of this album’s first years when it was a solo pleasure of mine and blew my mind. This time the sound of the hall and the textures are so well-presented. . . I love my system and the ability it has to transport me into a musical world. Amazing music! In 1975 Reggie Lucas, Michael Henderson, Al Foster and Mtume were a lift-off stage propulsive unit.