Quote:Posted by: Dominick Posted on: Today at 13:07:18
...Nothing better than listening to music with Bernstein at the helm.
And that goes double extra for Bernstein conducting Mahler. When I think of the recordings that had the biggest impact on
Classical Music, and I mean both on the business and on the listening public, I can't think of anything more influential than Lenny's 1960s Columbia/CBS/Sony recordings the of the Mahler Symphonies, mostly with the New York Philharmonic (the orchestra Mahler conducted at the end of his life, FWIW).
Two of Mahler's assistants, Bruno Walter and Otto Klemperer were among the leading conductors of the 20th century and had been making interesting and excellent recordings of Mahler since the 30s. But Mahler was still considered the lunitic fringe of classical music before Bernstein, and in fact I (vaguely) recall my mom's 1950s music appreciation text from college that had only a paragraph about Mahler and nothing good to say about him. But that all changed with Bernstein, and now Mahler is recorded, programmed and as far as I know, listen to as much as any composer who ever lived. Which is as it should be because his music is amazing, and Bernstein brings it to life like no one else, before or since.
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I had been on a Mahler binge a few months ago so hadn't listened to it recently and Dom's post was a good excuse to spin something up. I went with certainly the least loved of the symphonies, No. 7, with Leonard Bernstein and the NY Phil. And the way they play it it is hard to understand why it isn't as popular as Beethoven's 7th.