Reviewed by: Martinez,
an Audio Enthusiast
from
Indy, IN
Nov. 2002
Product Model Year: 2001
Summary: I have wanted to purchase an SET amp for some time now,
given all the reams of purple prose that has been generated extolling their
virtues. My suspicion has always been that a good number of FET amp owners are
first time tube purchasers; converts are always the most zealous proselytizers.
Another problem that I’ve had is that the SET is an old design, dating back to
the ‘30s and ‘40s. The Williamson Ultralinear circuit ( 1947), for example, was
considered a major improvement in the old SET designs. Of course, in those days,
speaker design was considerably less advanced also, so it’s doubtful whether an
unequivocal evaluation could be made about SET designs.
Despite my
misgivings, I went ahead and purchased a Decware Zen amp, because of its
reasonable price and well-conceived ergonomics. I purchased the Z-kit
incarnation of the Decware. Here are my impressions:
The Kit: I would
not advise a novice builder to attempt the kit, despite it’s SET design. My kit
came with two additional 1k ohm resistors and missing one 2.7k ohm resistor. The
kit that arrives is the C Rev version and the pictures on the net are for the B
Rev. There are quite a few differences. The schematics are excellent and provide
the ultimate guide.
It took me two nights, about eight hours, to finish
the kit. I would suggest adding more insulation to some of the leads of the
resistors and capacitors to avoid cross contacts. At any rate, I think the
assembly charges ($100) is very reasonable.
System env:
VanAlstine OmegaStar pre-amp Transcendent GG pre-amp XLO
Reference interconnects cables Better Cables Silver Serpents interconnects
DH Labs T-14 Speaker cables Cambridge Audio CD DIY (Seas and
Peerles) Speaker (91 db @ watt @ 1 M)
The Sound: I did listening tests
with two different pre-amps in my 10 x 10 listening room. With the Transcendent
pre, the results were very disappointing. I felt that sound was too warm, almost
glowing. The bass was non-existent.
I added a Titan subwoofer and a
Marchand external crossover with a 200 Hz crossover point to the system. Because
of its limited output, I had to adjust a lot of the crossover and sub’s
settings. The resulting system had a sound that I can only describe as, ‘Sarah
Brightman perched on Paul Robeson’s shoulders.’
Finally, I switched out
the sub and the pre and installed the VanAlstine. Now, I had a sound I really
liked. As many people have stated the SPL that this little unit achieves is
really impressive. This combination has tremendous detail and a little bloom.
Overall, my impression is that the amp imparts an audio footprint that
is pleasing to the ear, but does not retain the full fidelity of the music. I
would characterize someone who would enjoy such a sound as 'bassophobe', since
so much of the information in this region is lost.
Strengths: +delicate, euphonic sound +sounds good ciwth Glen
Miller records +good build quality +excellent ergonomics
Weaknesses: -old SET design should be retired -need particular
setup to really enjoy. 91+ db speakers and fast pre-amp -should use with
Oris horns or Klipsch speakers -non-existen bass; bassophobes love it
Similar Products Used: Monarchy SM-70, Eico HF-81. Both of these
afford more bass and bang for the buck |